And Atlantic had enough trust in us to do that. He firmly believed in making the records ourselves and delivering it to the label without any interference. Brendan didn’t like industry people in the studio. You had guys like Danny Goldberg, Tim Sommer, Doug Morris and a lot of great, great people who were really in our court. ![]() “That’s what we always wanted, and Atlantic was such a wonderful place to be back then. “I feel like we were one of the last of those rock bands doing those kinds of deals with major labels, which gave us creative freedom,” explains STP bassist Robert DeLeo to Billboard. ![]() And living comfortably between these two worlds was San Diego’s Stone Temple Pilots. ![]() In 1994, the House that Ahmet Built was in a full-on gilded age, not only with the commercial success of acts like Tori Amos, Hootie & The Blowfish and Collective Soul, but with the incubation of such vital indie artists as Daniel Johnston, Eugenius and The Melvins as well. There wasn’t a more freewheeling major label at the cusp of the mid-90s than Atlantic Records.
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